9/9/2023 0 Comments Ephemeral earth artThe definition of beauty, once objective and narrow, shifted to include subjective perspectives. This era also brought a rejection of classical beauty and the ideals made popular by Enlightenment thinking. Paintings and sculptures were created in a way that captured movement, such as Giacomo Balla’s Dynamism of a Dog on a Leash, a painting from 1912 that captures the motion of a dog in space, its legs painted in a blur to represent their quick movement. With works such as Claude Monet’s 1872 painting Impression Sunrise, impermanence found a special place in the creation of painting and sculpture.Įarly 20th century art movements, such as Futurism, were also interested in the ephemeral character of events and often depicted subjects in motion. Impressionist artists often painted scenes from nature that were fleeting, such as a sunrise or sunset. Romantic artists were interested in the power of nature and its ability to shift from serene to terrifying in an instant. Artists were creating artworks that presented a new image of beauty. In the 19th century, an appreciation of ephemeral beauty was expressed in the context of Romanticism and Impressionism. Richard Long, Sahara Circle, 1988, Tate Modern, London. Photo by Wolfgang Volz.īruce Mclean, Six Sculptures, 1967-8, Tate Modern, London. Yves Klein, Aerostatic Sculpture, 1957, Saint-Germain-des-Prés, Paris.Ĭhristo and Jeanne-Claude, Running Fence, Sonoma and Marin Counties, 1972-76, California. Gistav Metzger, Recreation of First Demonstration of Auto-Destructive Art, 1960, remade 2004, 2015, Tate Modern, London. Richard Long, A Line Made by Walking, 1967, Tate Modern, London. Yoko Ono, Apple, 1966, Museum of Modern Art, New York. However, much of the outcome of ephemeral art is left up to chance elements, such as the natural environment, audience participation, or the nature of the object itself. How long ephemeral art lasts is dictated by the materials used to create the piece and how these materials are intended to interact.
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